| AsaW | this |
| nasav|S: | the bamboo like bridge of the nose |
| t¤¢hn ¢g¢r | the snowy mountain (Himavan) |
| v|S Òvj p¢z | the banner of the race! (Sakti) |
| Ïvd£y: | your |
| nEd£y: | which is imminent |
| Plt¤ Pl| | let the reward fructify |
| AÞmak| | for us |
| u¢ct| | appropriate |
| vh¢t | bears |
| AÓt: m¤³a: | the pearls within (Bamboo bears pearls within by the poetic convention) |
| ¢S¢Srkr ¢náas: | the cool exhalation (out of the left nostril controlled by moon and hence cool) |
| g¢lt| | flowing |
| sm¦ÑGYa yt¯ | from the profusion of which |
| tasa| b¢h: A¢p c | and on the outside also |
| m¤³a m¢N Dr: | bears the pearl (nose ornament) |
| p#k]Ïya | naturally |
| Aar³aya: | which is red |
| tv | your |
| s¤d¢t | Oh one with beautiful teeth! (Sakti) |
| dÓt Cd âcE: | to the beauty of the lips |
| p#vßyE | I speak |
| saÜy| | of that which is similar |
| jnyt¤ Pl| | let it bear fruit |
| ¢vd#m lta | the coral creeper |
| n | not |
| ¢b|b| | the Bimba fruit (which is red is commonly used by poets for comparing with a woman's lips( |
| tt¯ ¢b|b | that image (the red lips) |
| p#¢t Pln ragat¯ | out of desire to reflect |
| Aâ¢Nt| | is red |
| t¤la| | the balance |
| AÒyaraEF¤| | to ascend |
| kT| iv | how will it (not be) |
| ¢vlÇjEt | bashful |
| klya | by a little bit |
| ¢Þmt | smile |
| ÇyaEÏs"a jal| | mass of moon light |
| tv vdn cÓd#Þy | of the moon of your face |
| ¢pbta| | drinking |
| ckaEraNa| | for the Cakora birds (the Greek partridge by poetic convention feeds on moon beams) |
| Aas£t¯ | became |
| A¢t rstya | from excessive (sweet) taste |
| c·¤ j¢fma | dull in the beak |
| At: tE | therefore they |
| S£ta|SaE: | of the moon |
| Am¦t lhr£| | the wave of nectar |
| AaØl âcy: | desiring sour taste |
| ¢pb¢Ót | they drink |
| ÞvÅCÓd| | of their own free will |
| ¢n¢S ¢n¢S | every night |
| B¦S| | excessively |
| ka¢¸k ¢Dya | thinking it to be sour gruel |
| A¢v½aÓt| | unceasingly |
| pÏy¤: | of the husband (Siva) |
| g¤N gN kTa | stories enumerating the virtues |
| Aam#Efn jpa | by repeated prayer |
| jpa p¤Ýp Caya | the colour of the hibiscus flower (red) |
| tv jn¢n | your Oh Mother! (Sakti) |
| ¢jºa | tongue |
| jy¢t sa | that (tongue) is victorious |
| yt¯ | of which |
| Ag# Aas£naya: | seated on the tip |
| ÞP¢zkxd | crystal stone |
| AÅC C¢vmy£ | clearly brilliant |
| srÞvÏya: | of Saraswati |
| m¥¢tI: | form |
| p¢rNm¢t | is transformed |
| ma¢NÀy | ruby |
| vp¤xa | appearence |
| rNE | in battle |
| ¢jÏva | having won |
| dWÏyan¯ | the Daityas (the demons) |
| Ap¶t | who have removed |
| ¢SrÞæOW: | with helmets |
| kv¢c¢B: | with armours |
| ¢nv¦äOW: | who have returned |
| cÎfa|S | the share of Chanda (a demi god attendent of Siva) |
| ¢æOp¤rhr ¢nmaIÚy | the remnants of offerings to the Destroyer of the three bodies, (physical, casual and astral) (Siva) |
| ¢vm¤KW: | who are averse to |
| ¢vSaK | Kartikeya (son of Siva and Sakti, and the commander of the gods in battle) |
| iÓd# | Indra (the lord of the gods) |
| upEÓd#W: | by Vishnu (the elder brother of Indra) |
| S¢S ¢vSd | white as the moon |
| kp¥Ir Skla | fragments of camphor |
| ¢vl£yÓtE | they are dissolved (by chewing) |
| mat: | Oh Mother! (Sakti) |
| tv vdn | your mouth |
| taØb¥l | the betel leaf and areca nut (chewed after a meal) |
| kbla: | mouthfuls |
| ¢vp|Åya | with the lute |
| gayÓt£ | singing |
| ¢v¢vD | varied |
| Apdan| | noble work |
| pS¤ptE: | of Pasupati (Siva) |
| Ïvya AarÖDE | when you began |
| v³| | to speak |
| c¢lt ¢Srsa | with the nodding of the head (in appreciation) |
| saD¤ vcnE | words of approbation |
| td£yW: | by their |
| maD¤yI: | sweetness (of the words) |
| Apl¢pt | detracted |
| tÓæO£ kl rva| | the low sweet tones of the strings (of the lute) |
| ¢nja| v£Na| | own lute |
| vaN£ | Saraswati (the goddess of speech, learning, music etc) |
| ¢nc¤ly¢t | covers |
| caElEn | by the wrapper |
| ¢nB¦tm¯ | out of sight |
| krag#EN | by the tips of the hand |
| Þp¦¾| | touched |
| t¤¢hn ¢g¢rNa | by the snowy mountain (Himavan, the father) |
| vÏsltya | with paternal affection |
| ¢g¢rSEn | by Girisa (Siva) |
| udÞt| | raised |
| m¤h^: | repeatedly |
| ADr pan Aakltya | intent on kissing |
| kr g#a/| | worthy of being held by the hand |
| S|BaE: | of Sambhu (Siva) |
| m¤K m¤kr v¦Ót| | the handle for the mirror of the face |
| ¢g¢r s¤tE | Oh daughter of the mountain! (Sakti) |
| kT|kar| b#¥m: | in what manner will we speak |
| tv | of your |
| c¤b¤k| | chin |
| AaWpØy r¢htm¯ | beyond compare |
| B¤j AaÜlExat¯ | from the embrace of the arms |
| ¢nÏy| | always |
| p¤rdm¢yt¤: | of the subduer of the (three) bodies (Siva) |
| kÎzkvt£ | with horripilation |
| tv g#£va | your throat |
| DäOE | bears |
| m¤K kml | the lotus of the face |
| nal ¢½ym¯ | the beauty of the stalk |
| iy| | this |
| Þvt: | innately |
| áEta | white |
| kal Agâ | black sandal |
| bh^l | copious |
| jØbal m¢lna | mud soiled |
| m¦Nal£ | root of the lotus |
| la¢lÏy| | loveliness |
| vh¢t | bears |
| yt¯ AD: | below which |
| har l¢tka | the necklace of pearls |
| glE | in the neck |
| rEKa: ¢t*: | three lines |
| g¢t | musical modes |
| gmk | musical modulations |
| g£t | songs |
| ek ¢np¤NE | Oh sole expert! |
| ¢vvah ÛyanÑG | tied well at the wedding |
| p#g¤N g¤N s|Áya | the number of the many stranded thread |
| p#¢tB¤v: | a reminder |
| ¢vrajÓtE | they shine |
| nana ¢vD | many varieties |
| mD¤r rag | sweet musical modes |
| Aakar | the forms of |
| B¤va| | produced from |
| æOyaNa| | the three |
| g#amaNa| | scales of music |
| ¢ÞT¢t | fixity |
| ¢nym | restricting |
| s£man | boundary |
| iv | like |
| tE | your |
| m¦Nal£ | lotus stalk |
| m¦¹£na| | soft as |
| tv B¤j ltana| | your creeper like hands |
| cts¦Na| | four (hands) |
| ct¤¢BI: | with the four (mouths) |
| saWÓdyI| | beauty |
| sr¢sj Bv: | the lotus born (Brahma) |
| ÞtaW¢t | praises |
| vdnW: | with (his) mouths (in the four remaining heads out of the five of the original) |
| nKE×y: | of the nails |
| sÓæOÞyn¯ | being afraid |
| p#Tm mTnat¯ | from the destruction of the first (head) |
| AÓDk ¢rpaE: | of the enemy of (the demon) Andhaka, (Siva) |
| ct¤NaI| | the four (heads) |
| S£xaINa| | (remaining) heads |
| sm| | simultaneous |
| ABy hÞt | the hand offering refuge from fear |
| ApIN ¢Dya | with the mind to placing |