THE VALMIKI RAMAYANA
BALA KANDA
p·m:
sgI:
Canto 5(Contd)
AyaEÒya vNInm¯
A description
of the city of Ayodhya
s¥tmagDs|baDa|
½£mt£mt¤lp#Bam¯ .
uÅcaalÒvjvt£|
StG"£Sts|v¦tam¯ ¡11¡
s|baDa|
|
having a profusion
of |
½£mt£|
|
having material
prosperity |
At¤lp#Bam¯
|
unequalled in radiance |
Òvjvt£|
|
with flags fluttering
atop |
vD¥nazksHGWà
s|y¤³a| svIt: p¤r£m¯ .
uïanam#vNaEpEta|
mht£| salmEKlam¯ ¡12¡
salmEKlam¯
|
compound walls
resembling the girdle |
ѤgIgØB£rp¢rGa|
ѤgaImÓyWѤIrasdam¯ .
va¢jvarNs|p¥NaI|
gaE¢Bâ¾®W: KrWÞtTa ¡13¡
Ѥrasdam¯
|
difficult of entry |
samÓtrajsHGWà
b¢lkmI¢Brav¦tam¯ .
nanadES¢nvasWà
v¢N¢ÂBâpSaE¢Btam¯ ¡14¡
b¢lkmI¢B:
|
tributary acts
(of presents/taxes) |
v¢N¢ÂB:
|
traders and merchants |
p#asadW
rÏn¢vk]tW: pvItW¢rv SaE¢Btam¯
.
k\zagarWà
s|p¥NaI¢mÓd#ÞyEvamravt£m¯ ¡15¡
p#asadW:
|
high rise buildings |
rÏn¢vk]tW:
|
studded with precious
stones |
k\zagarW:
|
storeyed buildings |
Amravt£m¯
|
(the city of)
Amaravathi |
¢cæOam¾apdakara|
vrnar£gNWy¤Itam¯ .
svIrÏnsmak£NaI|
¢vmang¦hSaE¢Btam¯ ¡16¡
A¾apdakara|
|
in the shape
of a diceboard |
smak£NaI|
|
strewn all over |
¢vmang¦h
|
buildings comparable to aeroplanes |
g¦hgaFam¢v¢ÅCd#a|
smB¥maW ¢nvE¢Stam¯ .
Sa¢ltÎf¤ls|p¥NaI¢mX¤kaÎfrsaEdkam¯
¡17¡
g¦hgaFa|
|
dense with houses |
Sa¢ltÎf¤l
|
rice out of
red paddy |
iX¤kaÎfrs
|
the juice of
sugarcane piece |
udkam¯
|
water (of that
type) |
ѤÓѤB£¢Bm¦IdÄñWà
v£Na¢B: pNvWÞtTa .
na¢dta|
B¦SmÏyTI| p¦¢TÛya| tamn¤äOmam¯
¡18¡
m¦dÄñW:
|
with the percussion
drums |
v£Na¢B:
|
with Veenas (a
musical instrument) |
¢vman¢mv
¢sÑGana| tpsa{¢Dgt| ¢d¢v .
n
kbErÞy cEÓd#Þy ymÞy vâNÞy
va ¡19¡
¢sÑGana|
|
of Siddhas (semidivine
beings) |
ymÞy
|
of Yama (the
god of death) |
vâNÞy
|
of Varuna (the
god of waters) |
b#'NaE{¢p
p¤r£ rØya nES£ c Þvy|B¤v:
.
¢nvE¢StvEÜmaÓta|
nrEÓd#aEäOmsE¢vtam¯ ¡20¡
Þvy|B¤v:
|
of the selfborn
(Brahma) |
vEÜmaÓta|
|
ending with such
type of houses |
nrEÓd#aEäOm
|
best among chiefs
among men |
yE
c baNWnI ¢vÒy¢Ót ¢v¢v³mpraprm¯
.
SÖDvEÒy|
c ¢vtt| lG¤hÞta ¢vSarda:
¡21¡
¢v¢v³|
|
lacking the strength
of associates |
SÖDvEÒy|
|
knowable through
sound |
¢vtt|
|
running away from
battle |
lG¤hÞta:
|
facile in archery |
¢vSarda:
|
highly competent |
¢s|hÛyaG#vrahaNa|
mäOana| ndta| vnE .
hÓtaraE
¢n¢StW: SÞæOWbIlaëah^blWr¢p
¡22¡
ndta|
|
roaring and grunting |
bah^blW:
|
strength of the
arms |
taSana|
sh*WÞtam¢Bp¥NaI| mharTW: .
p¤r£mavasyamas
raja dSrTÞtda ¡23¡
ta|
|
that (city of
Ayodhya) |
mharTW:
|
a great warrior
(capable of facing simultaneously
a thousand |
chariots in the battlefield)
Aavasyamas
|
reigned the kingdom |
tam¢g"m¢ëg¤INv¢ërav¦ta|
¢¹jaEäOmWvIdxfÄñpargW: .
sh*dW:
sÏyrtWmIhaÏm¢BmIh¢xIkÚpW§I¢x¢Bà kEvlW:
¡24¡
ta|
|
that (city of
Ayodhya) |
A¢g"m¢ë:
|
worshipping fire |
g¤Nv¢ë:
|
with desirable
qualities |
¢¹jaEäOmW
|
: noble brahmins |
vEdxfÄñpargW:
|
experts in the
vedas and its six subdivisions |
sh*dW:
|
one who gives
away in charity extensively |
sÏyrtW:
|
revelling in truth
(the absolute reality) |
mh¢xIkÚpW:
|
on par with
great seers |
At that juncture,
Dasaratha ruled as the king
over that great territory, which
had festoons on the exterior
gate; shops in the centreplace
which was beautifully spaced;full of
all kinds of machinery and
weaponry;teeming with all types of
artisans; crowded with Sutas,
the soothsayers and Magadhas, who
sang the praise of the monarch
; highly endowed with prosperity, resplendent
without a parallel; with
flags fluttering atop high-rise buildings;
with hundreds of cannons
of the Satagni variety; groups
of young lasses trained in
the fine-arts of drama and
dancing; gardens and deer parks,
walls appearing like waist-bands;
forts surrounded by large
and deep moats, impossible for
enemies to enter, full of
horses and elephants and in the
same manner full of cows,
camels and mules, groups of vassal
kings who were presenting
their tributes to the monarch,
shining with the tradesmen from
various countries, brilliant with
diamond-studded buildings which were
shining like mountains, full of
storeyed-structures, in the wonderful
shape of a chess-board and
rivalling with the city of
Amaravathi of Lord Indra,
teeming with superior type
of women, full of gems of
various varieties, crowded with tall
buildings rivalling with (the altitude
of aeroplanes), dense with
residences leaving no gap
in between
and built on level-ground,
rich in the crop of
red-paddy strain, water as sweet
as pieces of sugarcane, greatly
resounding with the musical
notesof drums,
kettle-drums, Mridangas and the
veena, the best on the
face of the earth, competing
with the aerial vehicles
of the Sidhas who had obtained
them through practice of
severe austerities,not available in
the celestial world to Kubera,Indra,
Yama or Varuna; appearing
as if even the city
of the self-born Brahma is
not as elegant as this
one; that city with houses
well-built, resorted to by the
best among the chiefs of
men, populated
with thousands of great
warriors who would not strike
with arrows the helpless, the
issueless, those not present
in front combat, running
away from battle but in
the forest kill with the
power of their arms or
using sharp weapons;
lions, tigers and boars
which are well-fed
and roaring
aloud and who have gained
mastery in the art of
archery; full of high-souled
and incomparable sages who perform
sacrifices, are endowed with
ethical excellences, who have mastered
the (four)
Vedas and who make profuse
gifts and
replete with Brahmins, who
are equal to great seers
(10-24).
iÏyaxI
½£md#amayNE vaÚm£k£yE
Aa¢dkaÛyE balkaÎfE p·m:
sgI: ¡5¡
Thus ends canto
five of the Bala kanda
of the
first and ancient poetical work
Srimad Ramayana of Valmiki
PROCEED TO SARGA 6
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